installation
prints
about
research

scroll vertically + horizontally to browse all prints

A close-up of one of the top row prints, in light blue and teal gradient. The photo isn't very clear, but it is a childhood photo of 3-year-old Elora blowing out candles on her birthday cake. The prints all have a bitmapped texture, combined with the texture of pastels. They are printed on an off-white, pink-toned paper, and there are gaps where the colors didn't fully print. A ghost print from the top row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the top row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the top row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the top row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the top row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again.
A close-up of one of the 2nd row prints, in red, orange, and yellow gradient. The photo is a childhood photo of Elora, slightly older now, floating in a pool, propped up by a tube float. The prints all have a bitmapped texture, combined with the texture of pastels. They are printed on an off-white, pink-toned paper, and there are gaps where the colors didn't fully print. A ghost print from the 2nd row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 2nd row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 2nd row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 2nd row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 2nd row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again.
A close-up of one of the 3rd row prints, in magenta and purple gradient. The photo is a childhood photo of Elora, older elementary school age now, tilting her head and smiling while sitting at a table. The prints all have a bitmapped texture, combined with the texture of pastels. They are printed on an off-white, pink-toned paper, and there are gaps where the colors didn't fully print. A ghost print from the 3rd row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 3rd row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 3rd row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 3rd row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 3rd row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again.
A close-up of one of the 4th row prints, in light blue and indigo gradient. The photo is a childhood photo of Elora, older now, sitting in a swing ride at an amusement park and looking to the side. The prints all have a bitmapped texture, combined with the texture of pastels. They are printed on an off-white, pink-toned paper, and there are gaps where the colors didn't fully print. A ghost print from the 4th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 4th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 4th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 4th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 4th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again.
A close-up of one of the 5th row prints, in lime green, chartreuse, and yellow gradient. The photo is a childhood photo of Elora, around 12, blowing on a dandelion. The photo is a close-up, taken from the nose down. The prints all have a bitmapped texture, combined with the texture of pastels. They are printed on an off-white, pink-toned paper, and there are gaps where the colors didn't fully print. A ghost print from the 5th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 5th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 5th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 5th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 5th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again.
A close-up of one of the 6th row prints, in light green and dark teal gradient. The photo is of Elora, around 17, laughing and standing next to a building with a brick wall. The prints all have a bitmapped texture, combined with the texture of pastels. They are printed on an off-white, pink-toned paper, and there are gaps where the colors didn't fully print. A ghost print from the 6th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 6th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 6th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 6th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the 6th row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again.
A close-up of one of the bottom row prints, in red and orange gradient. The photo is of Elora, college-age, laughing and holding a pride flag behind her, with arms outstretched, standing on a bridge over the James River. The prints all have a bitmapped texture, combined with the texture of pastels. They are printed on an off-white, pink-toned paper, and there are gaps where the colors didn't fully print. A ghost print from the bottom row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the bottom row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the bottom row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the bottom row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again. A ghost print from the bottom row of prints. As the ghost prints progress, the colors bleed into each other more and gradually fill the negative space, before getting fainter again.